Vocal processing plug-in collection with Waves Maserati VX1 Vocal Enhancer, Eddie Kramer Vocal Channel, CLA Vocals, and JJP Vocals - Mac/PC AAX Native, AudioSuite, VST, AU, SoundGrid $ 99.99 Or $5 /month § for 24 months. All-in-one multi-effect vocal plugin -Created in collaboration with Grammy-winning mixing engineer Chris Lord-Alge -CLA's radio-ready rock sound – instantly! MAC: CPU: Intel Core i3 / i5 / i7 / Xeon. Memory: 4 GB RAM, 4 GB free disk space on the system drive. Operating System: 10.9.5 - 10.12.2, 10.8.5 for ProTools 10 only.
The CLA Vocals plugin makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain. It works great on all styles of singers and, best of all, they will want that sound every time! Download free Cla VST,VSTi,AU,RTAS music software plugins & Instruments. Minimal parameter controls make Vocal Doubler the easiest way to breathe life into your vocal recordings. OS: Win 32Bit, Win 64Bit, Mac 32Bit, Mac 64Bit Format: VST, VST3, AU Tags: Compressor, EQ, Filter, Vocal Processing. JHudStudio - VK-2knob.
Among their vast array of plug-ins, Waves has a number of bundles in the category designated 'Signature Series'. All of these collections were designed with the input of a well-known engineer or producer—the one we'll be looking at here is the CLA (Chris Lord-Alge) Signature Series (you can Google Chris to peruse his extensive list of major album credits). Each of the plug-ins in the bundle contains the equivalent of a full mixer and effects rack, with simplified presets and controls to enable the user to not only quickly and easily achieve Chris' preferred 'sound', but also to customize that sound with a straightforward set of options. The plug-ins may look simple—and they are simple to use—but there's a lot of good stuff, and a lot of variety, packed into the controls. Here are a few tips & suggestions to help you get the most out of these capable processors.
The Waves CLA (Chris Lord-Alge) Signature Series plug-ins (clockwise, from top left): CLA Drums; CLA Bass; CLA Guitars; CLA Vocals; CLA Unplugged; CLA Effects.
1. Think different
One of the first things you may notice with these plug-ins is that the controls are not calibrated with the usual measurements—dBs, Hertz, milliseconds, etc.—the labelling is descriptive: bark, spank, push, bite, sub, top. This is by design—these plug-ins want you to use the right side of your brain, rather than relying on familiar settings. Don't think 'this might need 3 dB of boost at 50 Hz, or a 4:1 ratio'—instead, trust your ears to find the best sounds. At the default fader positions (±0), you get Chris' preferred setting(s) for each control (except the EQs)—you can then customize with three (descriptively labelled) options for each fader, and dial up the strength of each effect to taste.
2. CLA Drums: Choose the 'wrong' preset
The Drum plug-in has a knob that selects different preset values for each fader's three options, for six different drums: kick, snare, toms, hi-hat, overheads, and cowbell (or general percussion & cymbals). But don't feel that you have to rigidly stick to that—go ahead and try the 'wrong' drum setting, like choosing kick position on a snare track. You may find that the different preset values, though designed for one drum, provide an interesting or unexpected result when mis-matched, and that's how great sounds are born.
3. CLA Drums: Compress & Gate
CLA Drums has two dynamics faders: Compress and Gate. While basic in operation, there's a surprising amount of variety in the sounds, especially between the three compression options. Engineers have always used compression and gating to coax a wide variety of sounds from a single drum kit—everything from tight R&B-style drums, to big, boomy rock drums. Despite the simple controls, you can do that here, too. The Compress fader's Push (dbx160/SSL), Spank (1176), and Wall (limiting) settings move from thick boomy drums to tighter, stronger attacks, and you can further fine-tune the decay with the Gate fader, for a fair bit of control over the drum envelopes.
Audio Example 1—CLA Drums: Dry; then processed (with separate instances for each drum):
4. CLA Bass: Double-team the low end
The CLA Bass plug-in has two ways to address the low end—the (Pultec-style) Bass EQ fader, and the Sub fader. Bass offers a choice of frequencies—Sub, Lower, and Upper select progressively higher ranges—while Sub enhances just the very deepest bass. If you use the Sub fader to dial up depth and fatness (instead of the Bass fader's Sub setting), you'll free up the Bass fader to add 'punch'—a favorite for bass, available here from the 'Upper' option. Getting just the right balance between these two key aspects of bass tone can really help slot the bass into the mix.
Audio Example 2—CLA Bass: Dry; then processed:
5. CLA Guitars: Amp up
CLA Guitars is really a much more versatile plug-in that it may first appear, thanks to the Re-Amplify switch. On top of the EQ (API/SSL), compression (LA3A), and effects (which include a nice stereo doubler), Re-Amplify engages a full-blown amp sim, with four levels of overdrive and speaker simulation. This makes the plug-in a perfect choice for quickly pumping up either a miked-up or a DI'd electric guitar recording, but it can also add something extra to other instruments, like electric pianos, where it can give just the right edge to, say, an overly dry, clean Rhodes or Wurli patch.
Audio Example 3—CLA Guitars: 1) Dry; 2) processed: Re-Amplify OFF; 3) processed: Re-Amplify ON:
6. CLA Vocals: Double your pleasure (and not just your vocals)
Though it's officially designated for Vocals, this plug-in's classic SSL-modeled EQ and tasty 1176-style compression would benefit most acoustic instrument tracks as well. CLA Vocals can impart a nice subtle presence to lead vocals, and a sense of depth and width to background vocals (thanks to its tight reverb and stereo spreader/doubler). In fact, if you utilize the three variations of stereoizing/doubling (Stereo, Wide, Spreader) on different vocal parts, you can make those parts nicely populate the L-R soundstage, without too much bunching up at the sides of the stereo field. And the more gentle processing here (relative to some of the other plugs in the series) can offer these same benefits to acoustic guitar, piano, or any acoustic track where a little subtle enhancement is exactly what's called for.
Audio Example 4—CLA Vocals: 1) On vocals: dry; then processed; 2) On acoustic guitar: dry; then processed:
7. CLA Unplugged: Two 'verbs are better than one
The two different reverbs in CLA Unplugged give you the ability to blend them for a more effective sense of depth. Reverb 1's Chamber (Room) simulation is good for pulling tracks back into the virtual space, while Reverb 2's Plate emulation can add a nice, smooth tail, without adding much depth, especially to drums and vocals. But together, you can balance them to get just the right sense of depth vs. wash. This can be especially effective if you set up two of these plug-ins, on different Auxes, and Send varying levels from different tracks in a mix, dialing up a slightly different blend for each—i.e. lead vocal towards the front (more Plate, less Room), harmonies and drums toward the back (more Room, less Plate), etc.
8. CLA Effects: Squeeze more from this plug-in with Automation
CLA Effects has so many classic effects built into it that you could probably handle an entire mix with this plug-in alone. Even though some of the features on tap here are also found scattered among the other plugs, there are FX here that are found nowhere else in the collection, like Phasing, Fuzz, dotted-value Delays, and even the classic Telephone Voice effect. Even if you run them in auxes as well as channel inserts, you could end up instantiating quite a few of these in a mix, but to manage resources more efficiently, a little Automation could allow one instance to serve double or triple duty, dialing up just the right effect or setting in different parts of the song. Plus, some of these effects are the kind that need to be tweaked on-the-fly, like rhythmic delays, or the echo 'Throw' switch, which lets you add a repeating echo to, say, a single word in a phrase.
Audio Example 5—CLA Effects: A repeating echo effect, added only to the last word in a phrase by Automating the Long Delay 'Throw' switch (on-the-fly):
9. Rack 'em and stack 'em
Even thought these plug-ins are presented as all-in-one solutions for different instruments and vocal tracks, there's no rule that says you can't combine them for additional flexibility. Even though many of the controls are similar for each plug—EQ, compression, delay, reverb—the actual sound of those processors varies from plug-in to plug-in, as different kinds of EQs, compressors, etc., are emulated in each unit. So the Pultec-style EQ and 1176/LA2A-style compression available in CLA Bass might provide very different results than the SSL-type EQ and dbx-style compression on tap in CLA Drums. I wouldn't hesitate to run one into other, but I'd take care to disable the features I don't want in each, to avoid over-processing the signal. And that brings up to the last suggestion.
10. Mix 'n match
I've mentioned it already, but it bears repeating—just because each plug-in is specifically designed to process a particular instrument doesn't mean you can't run a synth or guitar through CLA Bass, or a bass or acoustic guitar through CLA Vocals, or any application you think might be worth trying. You may not always get the best results from mismatching, but then again, you may come up with something new and exciting. But whether you're looking to experiment, or just to quickly and efficiently dial up some polished-sounding tracks, the CLA Signature Series plug-ins have a lot of good sounds packed into their accessible interfaces.
Related Videos
Waves All Plugins Bundle Mac Crack is a large package with powerful audio plugins that allow you to easily personalize your music. The plugins contain compressors, equalizers and some noise reduction tools. With this program, you can easily download and install the various plugins required for your projects.
You may also like RC-20 Retro Color Crack (Win) Download
The CLA Vocals plugin makes this part of mixing an absolute joy. I have taken the very best settings which I use in my everyday mixes and crafted them into this chain. It works great on all styles of singers and, best of all, they will want that sound every time! Download free Cla VST,VSTi,AU,RTAS music software plugins & Instruments. Minimal parameter controls make Vocal Doubler the easiest way to breathe life into your vocal recordings. OS: Win 32Bit, Win 64Bit, Mac 32Bit, Mac 64Bit Format: VST, VST3, AU Tags: Compressor, EQ, Filter, Vocal Processing. JHudStudio - VK-2knob.
Among their vast array of plug-ins, Waves has a number of bundles in the category designated 'Signature Series'. All of these collections were designed with the input of a well-known engineer or producer—the one we'll be looking at here is the CLA (Chris Lord-Alge) Signature Series (you can Google Chris to peruse his extensive list of major album credits). Each of the plug-ins in the bundle contains the equivalent of a full mixer and effects rack, with simplified presets and controls to enable the user to not only quickly and easily achieve Chris' preferred 'sound', but also to customize that sound with a straightforward set of options. The plug-ins may look simple—and they are simple to use—but there's a lot of good stuff, and a lot of variety, packed into the controls. Here are a few tips & suggestions to help you get the most out of these capable processors.
The Waves CLA (Chris Lord-Alge) Signature Series plug-ins (clockwise, from top left): CLA Drums; CLA Bass; CLA Guitars; CLA Vocals; CLA Unplugged; CLA Effects.
1. Think different
One of the first things you may notice with these plug-ins is that the controls are not calibrated with the usual measurements—dBs, Hertz, milliseconds, etc.—the labelling is descriptive: bark, spank, push, bite, sub, top. This is by design—these plug-ins want you to use the right side of your brain, rather than relying on familiar settings. Don't think 'this might need 3 dB of boost at 50 Hz, or a 4:1 ratio'—instead, trust your ears to find the best sounds. At the default fader positions (±0), you get Chris' preferred setting(s) for each control (except the EQs)—you can then customize with three (descriptively labelled) options for each fader, and dial up the strength of each effect to taste.
2. CLA Drums: Choose the 'wrong' preset
The Drum plug-in has a knob that selects different preset values for each fader's three options, for six different drums: kick, snare, toms, hi-hat, overheads, and cowbell (or general percussion & cymbals). But don't feel that you have to rigidly stick to that—go ahead and try the 'wrong' drum setting, like choosing kick position on a snare track. You may find that the different preset values, though designed for one drum, provide an interesting or unexpected result when mis-matched, and that's how great sounds are born.
3. CLA Drums: Compress & Gate
CLA Drums has two dynamics faders: Compress and Gate. While basic in operation, there's a surprising amount of variety in the sounds, especially between the three compression options. Engineers have always used compression and gating to coax a wide variety of sounds from a single drum kit—everything from tight R&B-style drums, to big, boomy rock drums. Despite the simple controls, you can do that here, too. The Compress fader's Push (dbx160/SSL), Spank (1176), and Wall (limiting) settings move from thick boomy drums to tighter, stronger attacks, and you can further fine-tune the decay with the Gate fader, for a fair bit of control over the drum envelopes.
Audio Example 1—CLA Drums: Dry; then processed (with separate instances for each drum):
4. CLA Bass: Double-team the low end
The CLA Bass plug-in has two ways to address the low end—the (Pultec-style) Bass EQ fader, and the Sub fader. Bass offers a choice of frequencies—Sub, Lower, and Upper select progressively higher ranges—while Sub enhances just the very deepest bass. If you use the Sub fader to dial up depth and fatness (instead of the Bass fader's Sub setting), you'll free up the Bass fader to add 'punch'—a favorite for bass, available here from the 'Upper' option. Getting just the right balance between these two key aspects of bass tone can really help slot the bass into the mix.
Audio Example 2—CLA Bass: Dry; then processed:
5. CLA Guitars: Amp up
CLA Guitars is really a much more versatile plug-in that it may first appear, thanks to the Re-Amplify switch. On top of the EQ (API/SSL), compression (LA3A), and effects (which include a nice stereo doubler), Re-Amplify engages a full-blown amp sim, with four levels of overdrive and speaker simulation. This makes the plug-in a perfect choice for quickly pumping up either a miked-up or a DI'd electric guitar recording, but it can also add something extra to other instruments, like electric pianos, where it can give just the right edge to, say, an overly dry, clean Rhodes or Wurli patch.
Audio Example 3—CLA Guitars: 1) Dry; 2) processed: Re-Amplify OFF; 3) processed: Re-Amplify ON:
6. CLA Vocals: Double your pleasure (and not just your vocals)
Though it's officially designated for Vocals, this plug-in's classic SSL-modeled EQ and tasty 1176-style compression would benefit most acoustic instrument tracks as well. CLA Vocals can impart a nice subtle presence to lead vocals, and a sense of depth and width to background vocals (thanks to its tight reverb and stereo spreader/doubler). In fact, if you utilize the three variations of stereoizing/doubling (Stereo, Wide, Spreader) on different vocal parts, you can make those parts nicely populate the L-R soundstage, without too much bunching up at the sides of the stereo field. And the more gentle processing here (relative to some of the other plugs in the series) can offer these same benefits to acoustic guitar, piano, or any acoustic track where a little subtle enhancement is exactly what's called for.
Audio Example 4—CLA Vocals: 1) On vocals: dry; then processed; 2) On acoustic guitar: dry; then processed:
7. CLA Unplugged: Two 'verbs are better than one
The two different reverbs in CLA Unplugged give you the ability to blend them for a more effective sense of depth. Reverb 1's Chamber (Room) simulation is good for pulling tracks back into the virtual space, while Reverb 2's Plate emulation can add a nice, smooth tail, without adding much depth, especially to drums and vocals. But together, you can balance them to get just the right sense of depth vs. wash. This can be especially effective if you set up two of these plug-ins, on different Auxes, and Send varying levels from different tracks in a mix, dialing up a slightly different blend for each—i.e. lead vocal towards the front (more Plate, less Room), harmonies and drums toward the back (more Room, less Plate), etc.
8. CLA Effects: Squeeze more from this plug-in with Automation
CLA Effects has so many classic effects built into it that you could probably handle an entire mix with this plug-in alone. Even though some of the features on tap here are also found scattered among the other plugs, there are FX here that are found nowhere else in the collection, like Phasing, Fuzz, dotted-value Delays, and even the classic Telephone Voice effect. Even if you run them in auxes as well as channel inserts, you could end up instantiating quite a few of these in a mix, but to manage resources more efficiently, a little Automation could allow one instance to serve double or triple duty, dialing up just the right effect or setting in different parts of the song. Plus, some of these effects are the kind that need to be tweaked on-the-fly, like rhythmic delays, or the echo 'Throw' switch, which lets you add a repeating echo to, say, a single word in a phrase.
Audio Example 5—CLA Effects: A repeating echo effect, added only to the last word in a phrase by Automating the Long Delay 'Throw' switch (on-the-fly):
9. Rack 'em and stack 'em
Even thought these plug-ins are presented as all-in-one solutions for different instruments and vocal tracks, there's no rule that says you can't combine them for additional flexibility. Even though many of the controls are similar for each plug—EQ, compression, delay, reverb—the actual sound of those processors varies from plug-in to plug-in, as different kinds of EQs, compressors, etc., are emulated in each unit. So the Pultec-style EQ and 1176/LA2A-style compression available in CLA Bass might provide very different results than the SSL-type EQ and dbx-style compression on tap in CLA Drums. I wouldn't hesitate to run one into other, but I'd take care to disable the features I don't want in each, to avoid over-processing the signal. And that brings up to the last suggestion.
10. Mix 'n match
I've mentioned it already, but it bears repeating—just because each plug-in is specifically designed to process a particular instrument doesn't mean you can't run a synth or guitar through CLA Bass, or a bass or acoustic guitar through CLA Vocals, or any application you think might be worth trying. You may not always get the best results from mismatching, but then again, you may come up with something new and exciting. But whether you're looking to experiment, or just to quickly and efficiently dial up some polished-sounding tracks, the CLA Signature Series plug-ins have a lot of good sounds packed into their accessible interfaces.
Related Videos
Waves All Plugins Bundle Mac Crack is a large package with powerful audio plugins that allow you to easily personalize your music. The plugins contain compressors, equalizers and some noise reduction tools. With this program, you can easily download and install the various plugins required for your projects.
You may also like RC-20 Retro Color Crack (Win) Download
There are many plugins provided by Waves, and I fear that we cannot discuss them all in our review, as a full book is needed to cover all the details of the plugins provided by Waves. But let's take a look at some of them, so let's take a look at the Waves plugins.
Waves Bundle 11 Crack Vitamin is a plugin that gives a spark to the original sound by mixing a powerful version with the native signal. It is a multiband amplifier and a sound shaping tool. Velvet assassin download for mac download. The vitamin turns your music into irresistible sound by adding breathtaking things. With its latency-free result, the vitamin is definitely a winner.
With 64-bit support, faster scanning, faster loading and processing, Wave plugins open up new dimensions for high performance plugin performance. Key elements such as reverberation, compression, noise reduction and equalization to modeled analog material, surround and post-production tools, artist signature collections and much more, bundle plugins from waves offer the best award-winning Wαves GRAMMY plugins.
At Waves, we use a large part of our time and software development resources to ensure that the plugins in which you have invested are always compatible with the latest DAW and operating systems. V11 is the last of our current updates, so you can always focus on what's important – creating the best music and sound you can do now and in the future.
New, updated versions of the eight Renaissance Waves All Plugins Bundle Mac Crack , including freshly designed user interfaces with three skin options: light, dark, and legacy. Real-time frequency analyzers added to R-EQ and R-Channel plug-ins. Complete redesign of the R-Channel user interface for more intuitive use of the channel strip plugin. Over 700 new presets from leading artists.
The Waves All Plugins package includes some of the new plugins, including Dugam Speech, the new face of Dugan Automixer that can automatically control multiple microphone gains. Then there is Abbey Road Vinyl, which gives your music an authentic vinyl sound.
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You can now get better performance during recording sessions by sending clearer headphone mixes. With Waves Full Bundle VST Crack Live, you can use real-time recording and networking solutions as well as low latency processing for live broadcasts and theatrical productions. This package also offers digital audio over Ethernet networks as well as real-time processing solutions for live streaming and music production.
With over 100 great processors and over 250 component plug-ins, Mercury offers more waves in one package than ever! V9 also marks the launch of our new user-friendly activation system, the Centro license waves, which herald the era of simplicity, flexibility, mobility and security.
From time-domain effects to EQs, from controlling the dynamics of noise reduction to modeling the guitar sound with the sound of classic analog components, there has never been a collection as complete as this. The Mercury collection offers more effects, more channel components, more mixing tools and more processors than ever before in one place.
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The SSL 4000 Collection was developed under license from Solid State Logic and contains four carefully modeled plugins based on the legendary SSL 4000 series: SSL E-Channel, SSL G-Master bus compressor, SSL G-Equalizer and Fully G. new channel.
These sound Waves All Plugins Bundle Mac Crack are so close to the original consoles that even experts who work with SSL cards every day cannot tell the difference.
- Easy to use threshold and sensitivity control.
- Sibilance detector with Waves Organic ReSynthesis technology.
- Sibilance detection diagram to visualize the extent of the reduction 's'.
- Fast and powerful de-esser, specially developed for vocals and voice-over.
- Soft and easy removal of hard tones Waves All Plugins Bundle Mac Crack
- Processes the whistling parts of the signal without affecting the color of the vowel track.
- The free download of the Waves plugin bundle is added free of charge to the Waves bundles that are part of the Waves update plan.
- The Grand 80 electric piano has been added to the Gold, Platinum, Diamond, Horizon, Broadcast & Production, Broadcast and Surround Suite, Sound Design Suite and Mercury packages.
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Over 250 new artist presets for CLA MixHub. - CLA MixHub Lite components (mono and stereo) for reduced CPU consumption (up to 30% reduction depending on the processor type).
- Production, broadcast and surround suite packages as well as sound design suite.
- Access to all plugin updates since the last major version 9 update
- Bug fixes and plugin improvements: The full list can be found on our release notes page.
- The CLA MixHub channel view and the compartment view can now be opened at the same time.
- Each individual CLA MixHub module (input, equalizer, dynamic) can now be added as an additional insert plug-in in the CLA MixHub slot.
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- automation in VST3, parameter changes in AU hosts, cancel / restore functions and solo buttons.
- Mix new latency modes and advanced bass management controls.
System Requirements For Waves All Plugins Bundle
Before you start Waves All Plugins Bundle free download, make sure your PC meets minimum system requirements.
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- Operating System: Windows 7 and 8
- Memory (RAM): 4GB of RAM required.
- Hard Disk Space: 2GB of free space required.
- Processor: Intel Core 2 Duo or later.
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